Art is one of the ways people communicate with one another. Every work of art brings the viewer to into a special kind of relationship, both with whoever has created or is creating the art and also with everyone else who—together with him, or before or afterwards—is subject to that
It would be a mistake to ascribe this creative power
to an inborn talent.
In art, the genius creator is not just a gifted being, but a person who has succeeded in arranging for their appointed end, a complex of activities, of which the work is the outcome, requiring an effort.
Art is so varied that to reduce it to any single purpose, be it even the salvation of mankind, is an abomination before the Lord.
Conception, my boy, fundamental brain work,
is what makes all the difference in art.
—Dante Gabriel Rosetti
Art is art.
Everything else is everything else.
It is art that makes life, makes interest, makes importance…
and I know of no substitute whatever
for the force and beauty of its process.
It's not what you look at that matters,
it's what you see.
—Henry David Thoreau
Diverging Perspectives is an ongoing experiment in cinema and literature.
It’s all about the impossible mission to translate the art of words—colorful narration, puns and other forms of word-play—to the moving image.
ALL FILMS are for the ENGLISH-SPEAKING public and are subtitled wherever necessary.
In DP 2.3, we will present a special double-length series, showing and also providing a second opportunity to catch the unique line-up of the fantastic first Diverging Perspectives series including Gogol's The Overcoat, Dostoevsky's titanic The Brothers Karamazov. and Bulgakov's The Master and Margarita.
This year’s new series of adaptations are of:
As always: this is heady stuff, highly literary art—how can we transfer not just the storyline, but the sheerly verbal art, to the moving image?